Eternal Sunshine of the Spotless Mind

Our guest post today is by Kendahl, a voice you’ll have heard around D&S regularly. As well as watching fantastic films and commenting at D&S, Kendahl has a blogging home at ‘The Exponent’.


How happy is the blameless vestal’s lot!
The world forgetting, by the world forgot.
Eternal sunshine of the spotless mind!
Each pray’r accepted, and each wish resign’d …

— Alexander Pope, from ‘Eloisa to Abelard’


We all occasionally construct protective layers around our emotions, convinced that forgetting will negate the trouble of pain, the complications of connecting.   If the world forgets, leaving behind a nice black and white shell, one is safe from risk, safe from leaps of faith, safe from wishing.   But is that how we want to live?

Eternal Sunshine of the Spotless Mind is an unforgettable film, a twisting and turning timeline full of snapshots from Joel and Clementine’s circuitous and sometimes explosive relationship.   Like two ions affixed to each other, sometimes volatile, they create a constant underlying threat of chemical reaction.   They belong together, but sometimes they don’t.   They push each other both into new territory and away from each other when emotionally threatened.   Undeniable connection plays out in dreamland surreality, anchored by the impeccable performances of the main characters.   Kate Winslet and Jim Carrey are a perfect match, anchoring the sprawling storyline with their emotional gravity.

Clementine lives life out loud, pushing her boundaries and everyone else’s.   She loves quickly and, when filled with the pain of her relationship with Joel, can cut him out overnight by erasing her memories of being together.   Joel retaliates in kind, realizing during the procedure that he has made a terrible decision.

What is dream and what is memory?   Without thinking Clementine and Joel manage to find each other, not directly running towards one another, but by piecing together moments pulled from anywhere.   Distracted by life and pain and Lacuna, Inc.’s promises of a pristine, pain-free mind, Joel and Clem eventually choose to come closer.   After orbiting back-to-back, they manage to rotate and see each other.   Their memories are painful, but are they acceptable?   Do they provide a catalyst for the next phase of their relationship?   Do they move on together, or apart?

“Sometimes we need the bad memories in order to still have the good.”

One of my favorite teachings from my LDS upbringing is the concept of ‘opposition in all things’.     For me, it still evokes images of a living a full and rich life, having experienced both sides of a myriad of human experiences.   While facing something difficult, I can remind myself of the growth I will achieve during the process of pain and suffering.   When enjoying a time of life full of happiness, I can remind myself that I wouldn’t feel so happy if I hadn’t experienced negative and difficult experiences to compare them to.   But which came first?   Do I compare happiness to sadness, or sadness to happiness? Does it matter?   I find I experience one, then the other, and the polarity becomes greater as I grow older?   Life becomes richer as I notice more texture in pain, more color in elation, more stillness in my days.

Emotionally withdrawn Joel sees this in his sleep, which awakens the fight inside him.     He dreams his way through each of his Clementine memories, frantically trying to outwit the procedure before Clementine is ‘lost and gone forever’.   She is pulled from him in reverse, starting with the end of their relationship and moving back to the happier beginning.   Lines of thinking and linear time become twisted, coming full circle at the end of the film.   The first lines of the movie echo in the words Joel and Clementine say to each other the last time we see them.   They still don’t know each other.

Joel: I can’t see anything that I don’t like about you.

Clementine: But you will! But you will. You know, you will think of things. And I’ll get bored with you and feel trapped because that’s what happens with me.

Joel: Okay.

Clementine: [pauses] Okay.

That pause is hopeful to me.



NEXT WEEK: Helen will explore the haunting and beautiful ‘Revolutionary Road’ (2008).  For a more extended schedule,  check in here.