Black Swan


Today’s post is from a guest that we’ll call ‘White Cygnet’.


I didn’t expect Black Swan to strike at my Mormon roots. I found the film both disturbing and moving (once I could calm down from its “thriller” effect), but surprisingly the part that spoke most to me was Nina (the dancer)’s relationship with her mother.

I am giving the film great creative license in this review, seeing it as an artistic and symbolic interpretation of what’s in us all rather than looking at the movie as a realistic story. From that perspective, there’s a play between perception and reality, which I believe is within us all, but is exaggerated in Nina’s story for dramatic effect. It’s difficult to determine how overbearing and overprotective her mother is, but to Nina, her mother refuses to let her grow up. She physically dresses her, tucks her in at night, and pretty much lives through her: she seems to express pride in Nina’s innocence. Though she’s an adult, Nina sleeps in a butterfly bedroom with stuffed animals.

In one scene towards the end, her mother has locked her in the room “to protect her” so she can “get well”, but this means Nina will miss her debut as the Swan Queen in Swan Lake. Though she’s been good and obedient for most of the movie, a force stirs within her and she tries to escape from the room. There’s a physical altercation with her mom, where her mom says something to the effect of Nina being her good girl and Nina replies “I’m not her anymore” and intentionally, not accidentally, hurts her mother’s hand in an effort to escape.


The last few years I’ve found a distance between me and my Mormon faith, first in belief and now in practice. The biggest struggle for me is wrapped up in a feeling of disappointing my parents and close friends and family. I don’t live near many of them, so I cloak my new ideas in idle chatter when I speak to them, hoping they don’t bring up anything church related.

The way Mormonism describes a parental relationship between God and humans is the way I view my relationship with my parents. If I am living the life they want, they are “well pleased” and bless me with attention, acceptance, etc. If I am not, they “love” unconditionally, but there’s always an undertone of not being good enough, partially ‘cast out’ from their presence. I realize that these feelings are more about my perception than reality, but since I spent a good bit of time out of the church as a young adult, I remember a difference in our relationship when I came back.

Additionally, I consider my parents to be very good people who mean well and part of me doesn’t want to see them in pain. Rejecting the church feels like it’s a rejection of them.

So the depiction in the movie struck me as a version of my own life. Substitute the butterfly room for activity in Mormonism and I think my parents would love to keep me there, even if it meant stifling my growth as I tried to move from a child of God to an adult of God. They would know I was safe from the darkness of the world and they would never have to consider parts of me they found unsavory. I get that sense with a lot of other Mormon parents. Naive innocence is confused with perfection.

But the only way out of that room for Nina, and to the life she wanted, caused pain to her mother.

I’m left with the thought that instead of worrying about how much pain my parents will experience as I leave this lovely room they created for me, I should focus on what I and the outside world will be missing by remaining locked in a space that no longer serves me. Maybe this pain I’ve been avoiding for so long is just a natural growing pain that’s necessary for both me and my parents to really grow up. When I think about it rationally, we are both wrong here. Their job is to give me the tools to live my own life, and my job is to actually live it. Instead, I am masking real love for them behind a pretend life I think they want me to have.

When did you finally feel like a grown up? Was it a conscious choice or a natural progression?


NEXT WEEK: Matt and Andy join forces to explore past, present and future in ‘Moon’ (2009).  For our schedule, check in here.