Hosanna in the Highest

This week on ‘The Sanctuary’: a guest post from Andy.

One way of characterising my spiritual journey over the last four years would be to say I’ve gone from functioning within an inherited culture, towards a more critical outlook and need for rationality in assembling belief. This has been, in a large part, facilitated by my university training, and the liberal humanism that informs the teaching in such institutions. For sure, I’m really grateful for that process, as my life needed the balance tipping towards more active analysis of my assumptions and accepted worldviews. I’m glad that one of the assumptions that took a beating was the idea that life’s great principles and forces are usually organised into exclusive binary pairs. Having lost that ‘black and white’ way of thinking, now I find that for all that rational scepticism, I still maintain a capacity and respect for the things that ‘worked’ from previous versions of my belief system. Whatever I may consider it to be today, I know I’ve felt something that I called ‘the spirit’, that made me feel peace, and occasionally, bliss.

Evidently I haven’t been totally handed over to the devil for my coffee-drinking, because I still regularly feel those feelings in (some of) the situations that I used to. One of the most intense of these situations, then and now, is when I listen to music that would be best described as ‘worship’. The words ‘Alleluia’ and ‘Hosanna’ have always appealed to me as beautiful expressions. They are the sublime: cutting past the specifics and dogmas of theology, we may approach this state of language and thought. Words change into a different kind of symbolisation, and people sing together, praising the Absolute: That which exists beyond and outside of our language.

Please watch the video below, and see if you can feel these same reachings towards transcendence. There will probably be elements of the song or presentation that will get your scepticism-radar beeping… but if you can, just for a minute, try to turn the volume down on that and experience this expression of the sublime.



This video seems to me to depict something close to the end of ‘The Testaments of One Fold and One Shepherd’ (skip to 5:10 on the link if you want the relevant bit!), an LDS film made in 2000, which shows Christ appearing to the ancient American people. Both sets of Christians raise their hands up, as close as they can to touch God, and cry the tears they’ve waited, perhaps their whole lives, to release. Finally they can ‘let go’, and feel Eternity.

It works for me. I can identify some of the messages from Evangelical Christian ‘worship’ music that appeal to me for their beauty and poetry. They tend to be the messages that are paradoxical: for example, the bold assertions that the Hillsong United song makes:

‘I see the King of Glory/Coming on the clouds with fire/The whole earth shakes…’

Now, to be clear, I don’t believe that Christ is going to appear anytime soon, never mind about the sinister connotations of ‘fire’. But something inside me is attracted to the paradox because it throws off the dominance of rationality: that’s the only way this impossible glory can exist. As I type this, I can almost feel the possibility that I could sing those words as a response to all the skepticism in my heart… that I could use this kind of ‘faith’ to expand the vision of my limited eyes – to see beauty above a broken world.

I love the move from ‘the people sing/ the people sing’ into the chorus’s pure expression of worship. It’s almost a version of the revolutionaries’ song: the idealism of the end of history and utopia are recruited here. I feel significant things within me pulling towards this, wanting to be part of that world.

‘Hosanna, Hosanna, Hosanna in the Highest!’


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And yet, as I write, I’m bothered by the feeling that this process of sublimation actually covers up ‘a multitude of sins’: and by that, I mean to say that it brushes thoughtlessly past the dogma and pain that oppress the world. It’s like taking an anaesthetic: it eases the pain for now, but does nothing to fix the cause of the discomfort we feel from the ‘real world’. I guess that’s what the verses of these songs are trying to accomplish: but I fundamentally disagree with the methods they sing to promote.

Could ‘Hosanna’ be, after all, the manifestation of a lack of faith? If we transcend this world into a sublimated experience, then we leave everything that’s wrong with the world behind. We’re jumping ship. Perhaps we’ll come back to help those left on board – or perhaps we’ll fall in love with the siren song, and never return. Maybe the truest demonstration of faith would be to reject the transcendent sublime, and insist upon being here – amongst the pain and suffering and discord – where we can do what we can to help. Because I don’t believe Christ is going to come and ‘make right’ all that’s wrong with the world, I believe that it’s something that people like you or I are going to have to do. There’s a degree of that self-sufficiency within Mormonism: but probably not enough for me.

‘The Testaments’ shows the ancient Americans holding their hands up like Evangelical Christians. You’d never see this in an LDS Sacrament meeting: or even – in the same way – in the supposed Celestial intimacy of the Temple ceremony. Because Mormons believe God is always incarnate, we cannot hold our hands out to him until he either appears to us personally, or at the Second Coming. The Holy Ghost seems to be treated as a lesser god: proximity to the Spirit is apparently something much less powerful than the awaited appearance by Christ would be.

I’m left wanting to hold my hands out: to open myself to the Absolute, and simultaneously, not wanting to leave the world I love behind. If I could learn to look the horror of human suffering in the face, and then sing: ‘Hosanna’… that would be the most moral experience of God. To experience true  immanence: to find the Holy in the darkest places.

The Highest in the depths. ‘All heights and depths’.